I’m drawn to the way our personal connections give emotional weight to brick, steel and stone.

Places that appear still or ordinary are often layered with memory — moments of joy, protest, belonging, change. What stands physically static can hold powerful human experience.

Through RECOGNITION, I focus on buildings, bridges, monuments and mapped spaces that carry this accumulated meaning. I reduce each site to its essential form — isolating outline, structure and spatial logic — so recognition becomes the trigger.

For those connected to the place, the work quietly reactivates memory. For others, it exists as line and form — a structure waiting to be understood.